Journal Articles

Copyright and musicians at the digital margins

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While there is research into consumer attitudes to copyright and downloading, and the music industry has made clear its own views in evidence to the Hargreaves Review and other forums, relatively little is known about musicians’ attitudes to copyright. This article reports on those musicians who are negotiating the new terrain created by digitization and its accompanying business models. Are their attitudes to copyright simply determined by their financial self-interest and a sense of ownership of their music, or do they see copyright as a restriction of their creative freedom? Using the results of a questionnaire and semi-structured interviews with UK musicians, we show how a variety of factors – including generic conventions, knowledge and experience, and wider social values – contribute to attitudes to copyright. Although knowledge of, and interest in, copyright can be driven by financial self-interest, other considerations are in play. These findings have, as we explain, implications both for copyright policy and for an understanding of creative practice in a digital economy. If the assumption is that copyright is designed to serve the interests and facilitate the creativity of musicians, this view is not always shared by the intended beneficiaries.

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Detail Information

Series Title

Media Culture & Society

Call Number

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Publisher

Thousand Oaks : Sage Publications., 2015

Collation

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Language

English

ISBN/ISSN

0163-4437

Classification

NONE

Content Type

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Media Type

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Carrier Type

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Edition

Volume 37, Issue 3 April 2015, pages 342-358

Subject(s)

digitization
Sampling
Cultural labour
Copyright

Specific Detail Info

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Statement of Responsibility

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