This article is a rejoinder to Murdock and Golding’s response to my critique of the political economy of communications (PEC) analysis of media production. This article sets this exchange in the context of a broader debate in recent editions of Media, Culture & Society about the value of PEC. Much of the debate stems from Garnham’s critical review of 40?years of PEC research.
In this response to our critics and fellow-travellers we reaffirm our claim that contemporary media studies should reinvent a critical concept of ideology. We do this through addressing some of the problems with older critical conceptions of ideology and suggesting potentially fruitful ways forward through engaging with research traditions that have become neglected or are overlooked in the fie…
Social media have been hailed as liberative in contexts of political repression. In Zimbabwe, there are emergent debates on the possibilities of using Facebook to ‘democratise’ political space. But the use of Facebook to settle personal political scores or to relentlessly attack political opposition seemed to have escaped academic scrutiny. This study looks at the use of Facebook by opposing ca…
While much attention has turned to new and social media as tools to facilitate democratic participation, little attention has been paid to the ways that these tools are used by rural and nomadic communities. In this article, I examine the ways that Maasai pastoral-nomads are utilizing YouTube to present evidence of eviction, hunger, and other threats to their communities. I explore how the Maas…
After their release in 2001, Bratz dolls carved into Barbie’s previously monopolistic share of teen doll sales. Amidst their growing popularity, cultural critics expressed a host of concerns about Bratz dolls, especially over how they sexualize youth, but the line grew to include a host of products like costumes, makeup kits, games, books, clothing, and movies. It also inspired new, similar dol…
This article examines the ways educated urban Chinese youths engage American television fiction as part of their identity work. Drawing on theories of modern reflexive identity and based on 29 interviews with US TV fans among university students in Beijing, I found these youths are drawn to this television primarily because they perceive the American way of life portrayed on it as more ‘authent…