Journal Articles
From liberalization to fragmentation: a sociology of French radio audiences since the 1990s and the consequences for cultural industries theory
The last 30 years have seen a fragmentation of the radio station landscape in France. Since the 1980s, the liberalization of the French radio landscape has resulted in a strong trend towards the private youth music model of radio. But the process is neither a strict fragmentation by radio station or cluster of stations, nor a sharing out of listeners across all the nations. Such a structuring does not seem to be adequately theorized in "field" theory. Bourdieu proposed a "filed of large-scale cultural production" theory which seems arguably inadequate to describe current relations between audiences and media. Using recent audience data from the French audience measurement company, Mediametrie, we show that the best way to describe and analyse the radio audience is to isolate a dominant profile of listeners to youth and music radio stations. Historically, we see the old "radio generaliste" and the public vs private duopoly model moving towards a bipolar landscape. The consequences of this picture for theory include a renewal of the notion of the "filed" and the "general public" (grand public) within the sociology of the cultural industries
No copy data
No other version available